We want to change the consciousness of the public and how they think of the brain.
I begin to think that there is no way out of the painting, want to scrap it and then I push myself to continue and somehow as if by accident or chance they appear.
I believe we are not black nor white, not even grey, but we are a very complicated mix of good, bad, darkness and light
I got to know each person I photographed before I ever took out the camera. Establishing true friendships and immersing myself in the culture was deeply important to me.
In my photos I am often trying to represent a parallel universe, my universe, where the core part of my mind and hearth reside.
[The environment] is most definitely an urgent issue to the people of all nations, and getting more urgent the longer everything continues in the old ways, but so far the corporate influence on policy has prevented any meaningful action.
I guess the reason for [my] approach is one that deliberately harks to bygone (yet eternal) visions of love
Think of the body of mathematics as the unfinished rule book of nature. Just as there is beauty in nature, there is also great beauty in mathematics. It is a conceptual beauty that time and again translates into visual or audial beauty.
We focus on not breathing and moving a certain way and there is something very peaceful about that. No time to think. It is almost like survival mode.
